Crimson Peak is Guillermo del Toro’s apology for making us sit through Pacific Rim. Where Pacific Rim was designed by the 12 year old boy in him; Crimson Peak was designed by the 12 year old girl in him. A gothic romance, Crimson Peak is all about decaying mansions and withered aristocracy, sweeping heroic love and bitter villainous betrayal. It’s Penny Dreadful meets Jane Eyre. It’s more my speed than Pacific Rim ever was.
Nightcrawler is a cynical and satirical look at the media. It takes place in L.A. but this isn’t the sunny City of Angels, it’s the dark, seedy, unethical side of it. Its hero runs a small successful business by exploiting, deceiving and manipulating everyone who gets in his way. It fully commits to delivering the media slogan of, “If it bleeds, it leads,” to horrifying heights, never feeling the need to let the audience off easy. Oh and it’s a comedy.
I tend to enjoy Luc Besson’s films. There’s something so endlessly watchable about his brand of dumbness. However, Lucy is the dumbest movie about smart people I’ve ever seen. The character in the movie uses a 100% of her brain by the end of the film which results in the film using 0% of it’s brain. It’s the type of movie that expects its audiences to turn off their brains at the door.
Dawn of the Planet of the Apes is the most depressing blockbuster movie of the summer. It’s an absolute bummer and I loved every minute of it.
That’s what the Planet of the Apes franchise has always been. They’ve always offered us social commentary on our world, while giving us a nihilistic gut punch in the end. They were always a true bummer.
I go into every comedy sequel with low expectations. Why? Because there has never been a good comedy sequel. It’s always the studio saying look how much money so and so movie made; let’s make another one that’s the exact same movie but not as funny and original. So, when 21 Jump Street became the sleeper box office hit in the summer of 2012, a sequel was inevitable.
22 Jump Street is the best comedy sequel ever made!
Well damn, another exorcism movie! We’ve seen so many movies and shows approach this concept without offering anything new to the formula. It’s still chilling to watch an exorcism take place on screen but we can always predict the elements involved. Nonetheless, no one loves exorcisms as much as Scott Derrickson. His first big budget film was The Exorcism of Emily Rose, a film that divided audiences when it was first released. That film combined a traditional court room drama with the conventions of a horror/exorcism film. Similar to The Exorcism of Emily Rose, Derrickson approaches Deliver Us From Evil by combining the horror genre with another one, a cop drama.
The X-Men films are our last connection to the superhero films of the early 2000s. The films weren’t particularly great, with the series hitting a low point beginning with X-Men: The Last Stand and being followed with the absolutely awful X-Men Origins: Wolverine. Whatever good the first two movies had done, disappeared, and no one could understand why 20th Century Fox just didn’t reboot the franchise.