Crimson Peak is Guillermo del Toro’s apology for making us sit through Pacific Rim. Where Pacific Rim was designed by the 12 year old boy in him; Crimson Peak was designed by the 12 year old girl in him. A gothic romance, Crimson Peak is all about decaying mansions and withered aristocracy, sweeping heroic love and bitter villainous betrayal. It’s Penny Dreadful meets Jane Eyre. It’s more my speed than Pacific Rim ever was.
Minor spoilers for season 3 follow.
There is a sense of familiarity when you enter season 3 of Orange is the New Black. You know these characters now. For some, you know their pasts – while for others you know how they ended up at Litchfield. As familiar as Litchfield, and it’s inhabitants may seem, you can tell that something is different about twelve minutes into the season premiere. Twelve minutes is how long it takes for Piper to show up. Season 3 is the season where Orange is the New Black truly became an ensemble show. To the point, where I can see Piper leaving Litchfield, and the show continuing with the inmates who are still waiting to be released.
After season five 24 became nothing more than a show with great action and uninspired and redundant stories. The show and Jack Bauer were running on fumes. After season 8 ended, the cast and crew of the show talked for years about a possible movie. But what was finally decided was a 12 episode limited series that would still cover 24 hours but set in London. Maybe it was the long break, maybe it was the shorter episode order, maybe it was the change in location or maybe it was all of those things but 24: Live Another Day was an enjoyable season of 24 that made me want more seasons of 24 in the future.
Dawn of the Planet of the Apes is the most depressing blockbuster movie of the summer. It’s an absolute bummer and I loved every minute of it.
That’s what the Planet of the Apes franchise has always been. They’ve always offered us social commentary on our world, while giving us a nihilistic gut punch in the end. They were always a true bummer.
You’ve never seen a Bible story done quiet like Noah before. This is not an adaptation, or a big budget retelling of the classic Biblical tale, this is the story of Genesis after a page one rewrite. It combines fantasy the way you see in Greek Myths, and big blockbuster films, with theological debates you usually find in smaller, more independent films. It is a flawed film, but even when it stumbles the moments it succeeds are truly remarkable. It’s basically a Bible film made for me.
I never liked Captain America growing up. Always found him boring and a bit of a square, basically, I felt that he was just a way for America to show off their patriotism, and to compete with Superman for being the moral compass of their comics. I mean, the guy’s wearing the American flag on his chest. However, my opinion on Captain America changed after I watched Captain America: The First Avenger.
Captain America’s first entry in the Marvel Cinematic Universe turned out to be the Marvel’s best Phase One movie but also turned out to be my favourite Marvel movie. It was just a great movie from to start to finish; filled with with great character moments, a lot of heart, and is the only marvel film to earn it’s love story.
Kickstarted from cancelation, the Veronica Mars movie, had a lot riding on its shoulders. Not only did it have appease the show’s diehard fans and newcomers but also appease the over 90,000 backers, who, altogether chipped in a total of $5.7 million to fund the movie on Kickstarter. Creator and in this case writer and director, Rob Thomas, made a promise to fans, “We will deliver the Veronica Mars follow-up that you’ve always wanted,” and as a fan of the TV show, I think he and his team delivered on that promise.